Shannon McNally in the crux of a prolific phase. Earlier this year, she released the highly acclaimed Coldwater, grounded in her love for JJ Cale, classic rock and the juncture where blues, soul and country music meet – made all the more powerful by the keys of the late, great Jim Dickinson. Now, McNally comes forth with Western Ballad, releasing February 8, 2011, anchored by the title track written by Allen Ginsberg.
The album was born of a simple woodshedding between McNally and Bingham at his famed New Orleans Piety Street Studios. What was born of the session is a collection of songs inspired by themes inherent in the vintage American songbook. It’s not a coincidence the pair, who both were living in New Orleans when Katrina hit, finished the record during the days of the oil spill. The songs contemplate mortality, the unity of the downtrodden the joys of day-to-day life, Native American themes, our part in the natural world, as well as the treacheries of the ego. It became a wayfaring spiritual record, or a spirit-record as she might say – driven by her sultry, mellow voice. And Ginsberg’s words tied it all together in the end. “It was the missing link,” says McNally.
In the beginning I didn’t know where we were going, but I had complete faith in the process,” shares McNally, “Memory of a Ghost” was the first song they finished and is the first single (available on iTunes now). “It is an ode to the world of reflections, where things are backwards and opposite to our everyday world. It’s where instincts and distant memories are what guide a person. I like that state and I feel better if I can stay connected in part to it,” she says of the song. A tambourine punctuates the surreal and Native American landscape of the song with a bridge sung by Bingham that gives the ghost it’s say – driven by McNally’s lead guitar.
Shannon, who released her debut Jukebox Sparrows on Capitol Records in 2002, brought “True Possessions” in to finish with Bingham. “It’s about coming to terms with the music business. I wrote it post-Katrina, post the downhill slide I felt after Geronimo. I needed to exorcise some toxic experiences of the past 10 years in the business, wipe the tears so that I could continue with my life’s work.”
“All this motion has jarred a lot of inspiration and new songs,” she shares. “I’ve done a lot of collaborations (including the Grammy nominated tribute to Dickinson, Onward and Upward). And I plan to begin a new Hot Sauce Record in January and have begun to lay plans for a New Orleans Jazz Fest (April 29, 2011) release of my work with Dr. John called Small Town Talk – The Song of Bobby Charles.”