Los Lobos, the Grammy-winning East L.A. band, announces the release of their brand new studio album, Tin Can Trust, to hit streets on August 3, 2010. With Tin Can Trust—Los Lobos’ first release for Shout! Factory and first collection of new original material in four years— the venerable quintet once again redefines itself and expands its scope, while never losing sight of where they come from. And, like so much of Los Lobos’ previous work, Tin Can Trust is an album that speaks to the time and place in which it was conceived; the album’s title can be traced back more than a century, but for the band, it’s apt for the rickety state in which so many of us find ourselves—and our world—today.
The 11 tracks on Tin Can Trust offer the perfect balance of Los Lobos’ parts: the band’s lineup has remained uninterrupted since 1984, when saxophonist/keyboardist Steve Berlin joined original members Louie Pérez (guitar, drums, vocals), David Hidalgo (guitar, violin, accordion, percussion, vocals), Cesar Rosas (guitar, vocals) and Conrad Lozano (bass, vocals), each of whom had been there since the beginning in 1973.
Seven songs on the album are distinguished and genius Hidalgo-Pérez collaborations, including the opening track “I’ll Burn It Down,” which features a guest vocal harmony from blues-rocker Susan Tedeschi. Three others were written in whole or in part by Rosas – including the album’s two Spanish-language numbers: the cumbia “Yo Canto” and the norteño “Mujer Ingrata” – and display Los Lobos’ signature seamless infusion of Mexican folk songs into rock music. Also included in Tin Can Trust – a cover of the Grateful Dead’s “West L.A. Fadeaway” – offering a nod to the bands’ shared history that extends back into the 1980s when the Angelenos befriended and opened shows for their northern peers.
As with every new recording Los Lobos makes, Tin Can Trust moves Los Lobos into yet another new dimension while simultaneously sounding like no one else in the world but Los Lobos. Los Lobos’ unified vision and strong work ethic are evident throughout the self-produced album, but so is something even greater: “an intuitiveness,” says Los Lobos songwriter/multi-