North Mississippi Allstars
November 29, 2013
As the North Mississippi Allstars took the stage the Friday after Thanksgiving, it was clear that this would be a night to remember, a show for the ages.
The Allstarsâ€™ holiday Memphis shows have long been a storied tradition, a recurring page in the book that is their career. But, as the bandâ€™s drum line meandered through the shoulder-to-shoulder crowd at Minglewood Hall, one couldnâ€™t help but notice that the vibe in the packed room was different.
For one, there were video cameras â€“ everywhere. The band was shooting the evening for a concert video, and along with the two hand-held cameras that roamed the stage throughout the show and the platform-mounted steadycam in the photo pit, the band encouraged the audience to shoot with their cell phones and submit the videos.
But, for all the hoopla, the music is always first with the Allstars, and there would be plenty of music â€“ three-plus hours, to be sure. The band took the stage from the back of the room â€“ they had a drumline that started at the back and made their way through the crowd and up to the stage with the traditional â€œShimmy She Wobble > My Babe >Â Station Blues.â€ From there, they proceeded to do what the Allstars do â€“ take Mississippi Hill Country blues and kick it in the ass.
â€œTurn Up Satan,â€ a song from the new World Boogie Is Coming, was one of the few newer songs that made its way into the setlist, and it was a good way to lead up to the always-fun â€œShake â€˜Em On Down.â€
Guitarist/vocalist Luther Dickinsonâ€™s stage presence was front and center, and as he unleased note after beautiful note during â€œShake â€˜Em,â€Â the smile on his face was infectious. He was clearly in his element, in full command of his hometown crowd. When musicians bring their A game (as Dickinson always does), and do it with a smile, it certainly makes for a more enjoyable show.
The band was at its finest when it turned the stage into a full-on party, though. â€œMeet Me In The Cityâ€ had the first â€œguestâ€ of the evening, Duwayne Burnside, on backup vocals. These holiday Allstars shows are never just the Allstars, and theyâ€™re not meant to be â€“ theyâ€™re family celebrations.
â€œMean â€˜Ol Wind Died Downâ€ was huge as usual, starting slow but building into a monstrous jam. However, it was also one of the songs where it was abundantly clear that the band misses Chris Chewâ€™s immense presence on stage.
Chewâ€™s background vocals leant themselves well to some of the bandâ€™s more gospel-blues-sounding tunes, and when the Allstars perform them today, somethingâ€™s just not there.
There was certainly nothing missing from â€œJumper On The Line,â€ though. By this time, Cody Dickinson had shed a layer of clothing or two, strapped on a Viking helmet, and was running from side to side of the photo pit, washboard in hand. Ever the showman, he climbed onto the rail more than once to play in the crowd.
At this point, there were literally eight people on stage. T-Model Fordâ€™s grandson Stud had taken over on drums, Luther had Lightninâ€™ Malcolmâ€™s bass, and Malcolm, Kenny Brown, Alvin Youngblood Hart, and Duwayne Burnside were all on guitar. It was probably the jam of the evening, and fortunately caught on video for posterity, because it captured the essence of what the Allstars are about â€“ family.
Burnside left during â€œJumper,â€ only to return in costume â€“ the Red Rooster â€“ for â€œSnake Drive,â€ and the band closed their set with â€œGranny, Does Your Dog Bite.â€
By this point, the band had been on stage for nearly two hours, and the crowd began to thin. When they returned from their encore break, the room had began to empty out, but the band would soldier on for about another hour.
â€œPo Black Maddie > Skinny Womanâ€ was as phenomenal as ever, and Luther did his best Jimi Hendri impression on â€œHear My Train â€˜A Cominâ€™ > Goinâ€™ Down South.â€
As good as the music was, the band probably played about 30 minutes too long. Sure, they were recording a video and wanted to capture everything, but by the end of the show, the crowd probably about 50% of what it did at the beginning of the show. Itâ€™ll sure be interesting to see how they cut the video, because any shots from the stage out onto the crowd from late in the night will show a mostly empty room, which is in sharp contrast to the start of the show.
Either way, the night was chock-full of amazing moments that were fortunately captured on video. The Allstars are a band that always delivers, especially at their traditional holiday show in front of their friends and family. 2013â€™s event was no different in that respect.
Set: Â Shimmy She Wobble > My Babe >Â Station Blues, Turn Up Satan, Shake ‘Em On Down, Meet Me In The City*, Shake, Goat Meat, Psychedelic Sex Machine >Â Mystery Train ,Â Back Back Train, Boogie**, Hodown, Mississippi Boll Weevil, Mean Ol’ Wind Died Down, World Boogie, Jumper On The Line***, Snake Drive****, Granny, Does Your Dog Bite*****
Encore:Â Rollin’ ‘n Tumblin’, Let It Roll, The Meeting, Up Over Yonder, Po’ Black Maddie^ >Â Skinny Woman^, K.C. Jones, Goin’ To Brownsville, Hear My Train â€˜A Comin’ jam > Goin’ Down South > Lord, Have Mercy On Me > Stay All Night outro, All Night Long^^, Goin’ Home
* Chantell and Cherise, Duwayne Burnside and Sharde Thomas on vocals
** Stud on snare drum, Alvin Youngblood Hart on harmonica
*** Duwayne Burnside, Kenny Brown, Alvin Youngblood Hart and Lightnin’ Malcolm on guitars, Luther Dickinson on bass, Stud on drums, Cody DickinsonÂ on washboard
**** Kenny Brown, Alvin Youngblood Hart and Lightnin’ Malcolm on guitars, Duwayne Burnside on vocals and guitar
*****Â Sharde Thomas on fife/vocals, Luther on bass drum, Cody Dickinson, Lightnin’ Malcolm and Stud on snare drums
^ R.L. Boyce on bass drum
^^ Lightnin’ Malcolm and Kenny Brown on guitars, Cody Dickinson on guitar/washboard, Stud on drums, Luther Dickinson on bass